Naomi Sharon won't be able to escape the obvious comparisons to Elder Sade Adu; however, with Obsidian, she comes by them honestly.

Jung Kook shows some lovely vocals and intermittent interesting musical choices with debut LP GOLDEN.

Yves Tumor taps into the power of 1980s alt-pop with Praise a Lord Who Chews... A stunning piece rampant with fantastical imagery.

With her genre-bending effort Songs She'd Like to Hear, Kennie seemingly effortlessly wraps genres around each other for something nuanced.

In his first EP, WANT, jazz-tronic artist OoOooT brings moody, sensual, jazz-fueled electronic music to a still-growing scene South Korea.

TVXQ offers their 20th anniversary album, 20&2. Ladies and gentlemen, they were, they are and will forever be the Rising Gods of the East

With his latest work, Lei Line Eon, Iglooghost gives us an album that's as aurally challenging as it is soothingly tactile.

Another year. Another 100 Favorite Albums. 2021 was rough. But music is everlasting.

Lance Skiiiwalker, TDE's musical magician, gifts listeners an ethereal experience with his EPs Tales from the Telescope.

KIRARA does NOT get enough credit for her contribution to electronica. With her "4" series, she highlights how criminally underrated she is.

AKMU is back with their collaboration album NEXT EPISODE! If this is truly the next phase, we've got much to look forward to from them.

In the same breath of Bjork, Lotic pours Water onto the world, crashing and crying life in woman-soaked hues.

Room306's latest album BOOZE AND PETAL is a deeply textured album that reintroduces them as a band out of time.

Love X Steroe perfectly caputres the crossroads of Gen X, millennials and Gen Z with Xennials.

Laura Mvula's Pink Noise is a triumphant, vibrant wail of femininity, rage, love and power.