With Guilty, Taemin taps into his maturity, his sensuality in a way that I've not quite heard from him before.

Shania Twain gifted her fans an Queen of Me, a dazzling album highlighting how thoroughly she changed the landscape of country forever.

With Snow Angel, Reneé Rapp uses her powerful vocals to capture earnest vulnerability and relatable emotion.

U-KNOW Yunho has a voice that has aged as elegantly as he has. While Reality Show does highlight that it also crawls over into camp.

Joseph Solomon does a commendable job intertwining his smoke timbre with the elegance of each song's originator.

While an overall genuinely entertaining experience, Jason Mraz latest, Mystical Magical Rhythmical Radical Ride, does feel a bit...meh.

With her genre-bending effort Songs She'd Like to Hear, Kennie seemingly effortlessly wraps genres around each other for something nuanced.

With Soul,PRESENT, Q directly takes inspiration from the likes of Prince, Climaxx and Terrance Trent D'arby and executes with earnestness.

TVXQ offers their 20th anniversary album, 20&2. Ladies and gentlemen, they were, they are and will forever be the Rising Gods of the East

The first double review on MMMusic! It comes in the wake of transition for group fromis_9.

South Korean superstar producer Shaun enlists Malaysian-American songstress Yuna for "So Right."

Janet Jackson gave middle and high school me the right to feel special with The Velvet rope

Another year. Another 100 Favorite Albums. 2021 was rough. But music is everlasting.

Chancellor's eponymous LP sheds light on just how talented the veteran artist really is.

Despite opening on something truly magical, Kimperi's 1+1+1=1 is an album that lacks direction or cohesion.

With his debut album, MONTERO, Lil Nas X proves that away from the spectacle he is an emotive, introspective artist.

Despite being a decent album, Taylor Swift's evermore just doesn't leave a lasting impression on me.

After listening to about half of Doja Cat's Planet Her, I'm left wondering what's the hype behind this again?

Hoo-boy! It's been a long time since I've physically turned off an album before it reached the end.

Olivia Rodrigo's Sour, while earnest in its teen angst, doesn't resonate with me as it will with a much younger, less experienced audience.